Remembering Johnny Cash

John R. Cash was born J. R. Cash on February 26, 1932, died September 12, 2003 and he was an American country singer-songwriter. Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. He was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark all-black stage wardrobe, which earned him the nickname the "Man in Black".

Born to poor cotton farmers in Kingsland, Arkansas, Cash rose to fame during the mid-1950s in the burgeoning rockabilly scene in Memphis, Tennessee, after serving four years in the Air Force. He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash",[c] followed by "Folsom Prison Blues", one of his signature songs. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue", a duet with his future wife June called "Jackson" (followed by many further duets after their wedding), and railroad songs such as "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, he covered songs by contemporary rock artists; among his most notable covers were "Hurt" by Nine Inch Nails, "Rusty Cage" by Soundgarden, and "Personal Jesus" by Depeche Mode.

Cash is one of the best-selling music artists of all time, having sold more than 90 million records worldwide. His genre-spanning music embraced country, rock and roll, rockabilly, blues, folk, and gospel sounds. This crossover appeal earned him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame. His music career was dramatized in the 2005 biopic Walk the Line, in which Cash was portrayed by American film actor Joaquin Phoenix.

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was deeply addicted to amphetamines. Cash would use the stimulants to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction.

Although he was in many ways spiraling out of control, Cash could still deliver hits due to his frenetic creativity. His rendition of "Ring of Fire" was a crossover hit, reaching number one on the country charts and entering the top 20 on the pop charts. It was originally performed by June's sister, but the signature mariachi-style horn arrangement was provided by Cash.[46] He said that it had come to him in a dream. Vivian Liberto claimed a different version of the origins of "Ring of Fire". In her book, I Walked the Line: My Life with Johnny, Liberto says that Cash gave Carter half the songwriting credit for monetary reasons.

Although Cash cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, he stayed only one night on each stay. On May 11, 1965, he was arrested in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (He used this to write the song "Starkville City Jail", which he discussed on his live At San Quentin album.) While on tour that year, he was arrested October 4 in El Paso, Texas, by a narcotics squad. The officers suspected he was smuggling heroin from Mexico, but found instead 688 Dexedrine capsules (amphetamines) and 475 Equanil (sedatives or tranquilizers) tablets hidden inside his guitar case. Because the pills were prescription drugs rather than illegal narcotics, Cash received a suspended sentence. He posted a $1,500 bond and was released until his arraignment.

Cash began performing concerts at prisons in the late 1950s. He played his first famous prison concert on January 1, 1958, at San Quentin State Prison. These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969). Both live albums reached number one on Billboard country album music and the latter crossed over to reach the top of the Billboard pop album chart. In 1969, Cash became an international hit when he eclipsed even The Beatles by selling 6.5 million albums. In comparison, the prison concerts were much more successful than his later live albums such as Strawberry Cake recorded in London and Live at Madison Square Garden, which peaked at numbers 33 and 39 on the album charts, respectively.

The Folsom Prison record was introduced by a rendition of his "Folsom Prison Blues" while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached number one on the country charts and number two on the U.S. top-10 pop charts.

the image of Johnny Cash giving the middle finger to the camera at San Quentin is the most iconic photo of Johnny Cash there is. The story goes that during his legendary performance at San Quentin Prison -- his second live prison recording after Folsom -- music photographer Jim Marshall asked Johnny Cash to take a picture for the warden. Johnny decided that flipping the bird was the most appropriate gesture to make for the warden, and it was that moment that the iconic photo was born. It's not a surprise: Johnny Cash used country music to voice his concerns about those who were dealt a bad hand in life, and struggled with many demons himself. Next time you find yourself singing along to "The Man in Black," you'll surely hear lyrics that sympathize with all walks of life.

By the early 1970s, Cash had established his public image as the "Man in Black". He regularly performed in entirely black suits with a long, black, knee-length coat. This outfit stood in contrast to the rhinestone suits and cowboy boots worn by most of the major country acts of his day.

Cash said he wore all black on behalf of the poor and hungry, the "prisoner who has long paid for his crime", and those who have been betrayed by age or drugs.[88] He added, "With the Vietnam War as painful in my mind as it was in most other Americans, I wore it 'in mourning' for the lives that could have been' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."

Initially, he and his band had worn black shirts because that was the only matching color they had among their various outfits. He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that political reasons aside, he simply liked black as his on-stage color.[10] The outdated US Navy's winter blue uniform used to be referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black.

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991. During this time, he recorded an album of new versions of some of his best-known Sun and Columbia hits, as well as Water from the Wells of Home, a duets album that paired him with, among others, his children Rosanne Cash and John Carter Cash, as well as Paul McCartney. A one-off Christmas album recorded for Delta Records followed his Mercury contract.

Though Cash would never have another chart hit from 1991 until his death, his career was rejuvenated in the 1990s, leading to popularity with an audience which was not traditionally considered interested in country music. In 1988, British post-punk musicians Marc Riley (formerly of the Fall) and Jon Langford (the Mekons) put together 'Til Things Are Brighter, a tribute album featuring mostly British-based indie-rock acts' interpretations of Cash's songs. Cash was enthusiastic about the project, telling Langford that it was a "morale booster"; Rosanne Cash later said "he felt a real connection with those musicians and very validated ... It was very good for him: he was in his element. He absolutely understood what they were tapping into, and loved it". The album attracted press attention on both sides of the Atlantic.[105] In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday. In 1993, he sang "The Wanderer", the closing track of U2's album Zooropa. According to Rolling Stone writer Adam Gold, "The Wanderer" – written for Cash by Bono, "defies both the U2 and Cash canons, combining rhythmic and textural elements of Nineties synth-pop with a Countrypolitan lament fit for the closing credits of a Seventies western."

No longer sought-after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, which had recently been rebranded from Def American, under which name it was better known for rap and hard rock. Under Rubin's supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin Dreadnought guitar – one of many Cash played throughout his career. The album featured covers of contemporary artists selected by Rubin. The album had a great deal of critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. He teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed Bob Dylan's "Forever Young."

Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman. He also lent his voice for a cameo role in The Simpsons episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)", as the "Space Coyote" that guides Homer Simpson on a spiritual quest.

Cash was joined by guitarist Kim Thayil of Soundgarden, bassist Krist Novoselic of Nirvana, and drummer Sean Kinney of Alice in Chains for a cover of Willie Nelson's "Time of the Preacher", featured on the tribute album Twisted Willie, released in January 1996.

In 1996, Cash collaborated with Tom Petty and the Heartbreakers on Unchained (also known as American Recordings II), which won the Best Country Album Grammy in 1998. The album was produced by Rick Rubin with Sylvia Massy engineering and mixing. A majority of Unchained was recorded at Sound City Studios and featured guest appearances by Lindsey Buckingham, Mick Fleetwood, and Marty Stuart. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997.